zoom in zoom out. About the work. Create Cancel. Lithograph. 23 1/2 × 18 in. Find Art Now. Above: the Botanical Pavilion frames Lee Ufan's painting Dialogue, 2017 . © 2018 Artists Rights Society (ARS)/ADAGP, Paris. Overview. Lee Ufan making Dialogue—space (2011) during installation of Lee Ufan: Marking Infinity at the Solomon R. Guggenheim Museum, New York, June 2011 Dialogue—space , 2011 Acrylic on wall Dimensions vary with installation Installation view: Lee Ufan: Marking Infinity , Solomon R. Guggenheim Museum, June 24–September 28, 2011 Lee Ufan. A complementary installation of the artist’s abstract Dialogue paintings was on view in the Museum’s third-floor galleries from September 2019 to March 2020. To Lee, these ‘blank’ fields are necessary parts of the work, allowing the boundaries between the paintings and the space in which they are installed to blur and the dialogue to continue from one piece to the next. A way to share and manage lots. Please note that an offer well below the estimate will likely be declined. Lee’s art makes prominent use of yohaku, or empty space, calling back to that early Mono-ha concept of ‘not making.’ This is based on the idea of resonance between the parts that are painted and those left unpainted. Courtesy Pace Hong Kong. Lee Ufan, Dialogue, 2009, oil and stone pigment on canvas, Kamel Mennour, Paris, France. These forms invite communication from the viewer, completing the concept of a dialogue, this series’ name. But Lee’s … The aim was to challenge preconceived notions of these materials and present them in a new light. As such, though they may seem simple in form at first glance, Lee’s paintings are very present and physical, taking on an almost three-dimensional aspect. Executed by pioneering Korean artist Lee Ufan, the present work is fuelled with aesthetic vibrancy and explores the relationship between the inner-life and the exterior. Lee Ufan’s ‘Dialogue’ (2018) | PHOTO BY JOHN L. TRAN, COURTESY OF SCAI THE BATHHOUSE. Lee Ufan. A True Universe Lee Ufan, the passage of time. Follow … The brilliance of the white is crucial in ensuring that the open space between the two grey shapes can be … The art of this artist, who has long been based in Japan, is rooted in an Eastern appreciation of the … Lee Ufan, ‘Dialogue’ (2018), Acrylic on Canvas. Maction Planet runs bespoke Private Tours and Experiences in Tokyo and beyond, including Tokyo Art Tours. inde/jacobs. Estimate £10,000 - 15,000 ‡ Follow Favorite. A specialist will contact you shortly. Through one brush stroke, Dialogue channels a profound emotional resonance for the viewer, bringing them into a state of inner contemplation. Lee observed that artists had become less vital, with the advent of technology nullifying an artist’s ability to make things. Please note that all bids are binding and all winning bids in this sale are subject to a … Read more. Dialogue by Lee Ufan . It is an art where idea(s) or concept(s) included in the work come before material concerns and traditional aesthetic. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Edition 9/30/30. Signature. In 1968, Sekine displayed a 2.7 metre-high tower of dirt next to a matching hole in the ground. Signed, numbered and dated by the artist. Lee Ufan, Dialogue, 2017, acrylic on canvas, 89-1/2" × 71-1/2" (227.3 cm × 181.6 cm) © Lee Ufan Drawing together fourteen paintings from 2016 – 2018, the exhibition debuts most of the works on view. 1936, Ham-an, Kyongsang-namdo Province, South Korea) lives and works primarily in Japan and France. It is in this simplicity of form, material, and action that Lee Ufan’s works expand the artistic dialogue of contemporary art, his process much resembling that of Richard Lin. In taking time to appreciate this magnificent body of work, it sparks a self-dialogue in which we can discover something about ourselves. The expansive installation, featuring 10 new sculptures from the artist’s signature and continuing Relatum series, marks Lee Ufan’s largest single outdoor sculpture project in the US, the first exhibition of his work in the nation’s capital, and the first time in the Hirshhorn’s 45-year history … Contact gallery. Dialogue,2016. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Framed. Nobuo Sekine introduced him to the other artists in his … Estimate £6,000 - 8,000 ♠ Sold for £27,500. Canvas 227cm x 182cm x 6cm. Lee’s work continues to emphasise the relationship between the artificial, the hand-made and the natural. (Lee Ufan, Selected writings by Lee Ufan 1970-96, London 1996, p. 114). The background of the piece is covered in gesso, making it a crisp white. Lee Ufan: Dialogue With Materials, Tokyo Opera City Art Gallery, Tokyo, Japan Lee Ufan: From Point, From Line: 1976 - 1982, Galerie Kamel Mennour, Paris, France Lee Ufan: Open Dimension, Hirshhorn Museum and Sculpture garden, Washington D.C, USA Lee Ufan, Dia:Beacon, New York, USA (Long-term view) 2018 Serpentine Galleries, London, United Kingdom Pace, New York, USA 2017 Centre … Gallery Applications. 1936 • Follow. ‘Lee Ufan – paintings’ is on show at SCAI The Bathhouse until 25 April 2020. Consign with Artsy. Signature. Create your first list. Glossy and slick, and strictly two-dimensional, Dialogue (2014) lacks the physicality that we feel towards oil paintings as weightier, impactful objects in space. Lee Ufan Dialogue 2007 Oil on canvas 227 x 182 cm / 89 x 71 1/2 in. chair Go back. The yohaku fosters a sense of duality: a resonance between the visible and the invisible, the made and the unmade. Huile et pigments minéraux sur toile / Oil & mineral pigment on canvas 227 x 182 cm (89.37 x 71.65 in) (Inv n°LU2) Consign with Artsy. Marfa. Lee Ufan Correspondance 2004 Installation View Lisson Gallery, London Lee Ufan Relatum - Discussion 2003 Four iron plates and four stones Stones: 50 x 60 cm each / 19 1/2 x 23 1/2 in. Mono-ha is a contributor to the idea of Conceptual art . 47.24 x 39.37 in. Lee Ufan. 77.3 × 105 cm. A journalist used the term ‘mono-ha’, with a hint of derision, as a dig at the apparent lack of artistic ability and finesse in the work. In the decades following his role in the Mono-ha movement, Lee has cultivated an oeuvre which taps into concepts of the interconnectedness of consciousness and physical form. VIP Relations. About the work. zoom in zoom out. Want to sell a work by this artist? Such a shift may sound obvious, but it was a first in Japanese contemporary art: the rejection of Mono-ha concepts was a rejection of an utterly Japanese art movement, not just a new interpretation of a western style. Follow Favorite. Korean, b. Lee Ufan’s latest exhibition, ‘Lee Ufan – paintings’ at SCAI: THE BATHHOUSE opened on Friday 6 March 2020. Seek an Artwork by Lee Ufan. View in Room. As stated by Lee Ufan himself: “A work of art is a site where places of making and not making, painting and not painting, are linked so that they reverberate with one another.” The unpainted portions make the viewer sharply aware of this reverberation, as well as the space as a whole. View in Room. He moved to Japan in 1956 where he studied modern Western Philosophy at Nihon University. They consist of single brushstrokes of blue or grey paint of a similar length, on a white ground. In the gallery’s second room is the fifth and final work: a smaller scale, watercolor painting of a single brushstroke on paper. Lee Ufan, ‘Dialogue’ (2020), Acrylic on Canvas, Since 1996, Lee’s Dialogue series has tapped into these concepts exploring questions of process, material, and spatial relationships. In dialogue with Post-Minimalist practices, Lee’s work developed out of Mono-ha’s tenet to explore the phenomenal encounter between natural and industrial objects arranged directly on the floor or in outdoor locations. Lee Ufan, ‘Dialogue’ (2017), Acrylic on Canvas], , or empty space, calling back to that early Mono-ha concept of ‘not making.’ This is based on the idea of resonance between the parts that are painted and those left unpainted. Many of … Nevertheless, each painting is created in a highly controlled manner with brushstrokes that relate to the artist’s breath. He has lived in Japan ever since, over sixty years now, though he has spent a great deal of time in Europe. See available paintings, prints and multiples, and works on paper for sale and learn about the … 59.7 × 45.7 cm. A pioneer of the Japanese Mono-ha … Lee Ufan: A Dialogue , Museen Dahlem, Staatliche Museen der Berlin, February 12–May 25, 2008. 繁. Basel Miami Beach Hong Kong Stories Galleries Events Viewing Rooms. LEE UFAN, Dialogue, 2014, watercolor on paper, 104.8 × 76 cm. This is part of a limited edition set. 繁 . Marfa • Follow. Mono-ha was a pioneering art movement that emerged in Tokyo in the late sixties. … By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. The Team. Sold. ‘Mono-ha’ works tend to be as much about the space and voids, and interdependent relationships between objects in that space, as the ‘things’ themselves. Create Cancel. Lee Ufan: Open Dimension is an ambitious site-specific commission by the celebrated Korean artist Lee Ufan. Seoul Auction. The more recent works on show at SCAI have a much broader range of pigment. Dialogue is composed … Stone 70cm x 70cm x 70cm. Bibliography. Hong Kong 2017. kamel mennour. The art is not limited to the painted installations but are connected to the space of the entire exhibit itself. Mono-ha rejected the primarily Euro-American avant-garde that was in vogue during the preceding decade, paving the way for the aptly named ‘Post Mono-ha’ generation. Led by Lee Ufan and Nobuo Sekine, it was one of a number of groups – Arte Povera in Europe and Earthworks and Minimalism in the US – engaged in ‘not making’. A way to share and manage lots. It also has things in commons with Arte Povera in Italy and Minimalism in the United States. Thank You. Lee Ufan is a Korean artist who founded the avant-garde group Mono-ha (School of Things), Japan’s first internationally acknowledged movement in contemporary art. Emblematic of the eponymous series, Dialogue speaks the distance between us that we must bridge in order to communicate. With a new fusion of identity and experiences, Lee Ufan’s painting demonstrates a possibility for a solely distinct Asian contemporary artistic language that declares itself independent from and entirely equal to the Western model. Our Books. Featured image: Lee Ufan, ‘Dialogue’ (2017), Acrylic on Canvas]. Our History. Tri-Star. 218.0 x 291.0 (cm) 85.8 x 114.6 (inch) Art Basel. His later minimalist Dialogue series, begun in 2006, again employed mineral pigments on canvas; their composition consisted of one, two, or three short, broad brushstrokes placed so as to suggest resonance and echo within the surrounding white space. … 26. In Lee Ufan. Sometimes referred to as Conceptualism. Tokyo ON #069: Best of Japanese Music 2020, This Week in Tokyo – 29 December 2020: A message from Mac, Tokyo ON #068: L’aventure Fantastique – 25 Years of Fantastic Plastic Machine. To the Ruins. Composed of singular sweeps of paint using the artist’s traditional grey palette, Dialogue sees the paint built up over an extended period of time, with the brush gradually unloading and the mark lightening as he drags it across the surface of the canvas, each repetition being ritualistically controlled by Lee’s held breath. Sign in. 1936) was born and raised in Korea, where he studied Asian thought including the philosophies of Laozi and Zhuangzi. Edition 13/20. He moved to Japan in 1956 where he studied modern Western Philosophy at Nihon University. The colour fields, which appear to be single brush strokes, have elementary forms which further emphasises the white space in the work. Untitled, from Dialogue, 2007. Artwork page for ‘Correspondence’, Lee Ufan, 1993 Lee Ufan works in series, which evolve over many years. View Lee Ufan’s 1,958 artworks on artnet. 30 2/5 × 41 3/10 in. Lee began his Dialogue series around 2006; he creates each work by placing one to three touches of pigment, mixed with glue and crushed stone onto a crisp white canvas. The exhibition highlights Lee’s attention to gestures, light, and colour, as well as how they inform our perceptions and experiences of space. The Mono-ha group saw itself as a reaction to what they deemed to be ruthless development and industrialisation in Japan, exploring materials and their properties as opposed to traditional representative art. Global Patrons. At both ends, the walkway opens up to reveal South Korean artist Lee Ufan’s 2017 painting titled “Dialogue.” “The semi-circular shape of the pavilion invites the visitor into a journey to explore the space and experience the various essences of wood,” Kuma told Dezeen. In an era where much art has moved digitally, Lee’s approach to creation using actual, physical motions befits one of the founders of the Mono-ha movement. Lee Ufan continued in this expressive style for over two decades. Artwork by John Baldessari. Want to sell a work by this artist? This work is part of a limited edition set. These newer paintings introduce gestural strokes as well as unaltered expressionistic elements, including dots and specks of paint. 227.3 by 207 cm. Contact us. Medium. Untitled, from Dialogue. Print. Signed, dated and … A … The. After this series imbued with kinetic motion, Lee’s works became more meditative as apparent in his Correspondence (1991-2006) and Dialogue series (2006 onwards). Lee Ufan Dialogue - Silence , 2013 Virgin canvas, stone. (120 x 100 cm.) Each brushstroke creates a relationship to the white … 1936) was born and raised in Korea, where he studied Asian thought including the philosophies of Laozi and Zhuangzi. https://www.britannica.com/topic/Dialogue-painting-series-by-Lee-Ufan. Widely renowned as one of the most important artists of the past half-century, painter, sculptor, poet, and writer Lee Ufan (b. The name ‘Mono-ha’ was not coined by the group themselves but rather a label assigned by observers and commentators. It consists exclusively of paintings, featuring Lee’s latest works from the Dialogue series that he has worked on since 2000. Lee Ufan was a very significant part of the Mono-ha movement. All offers exclude shipping fees, applicable taxes, and the 20% Buyer's … He was the leading figure of the Mono-ha movement in the late 1960s and has since been a mainstay of the international art scene. Featured image: Lee Ufan, ‘Dialogue’ (2017), Acrylic on Canvas] Lee Ufan (b. Dialogue, 2015. Medium. fosters a sense of duality: a resonance between the visible and the invisible, the made and the unmade. The viewer’s position in relation to the work is also part of the form. In 2010, the Lee Ufan Museum dedicated to the artist’s oeuvres, opened on the island of Naoshima. Each of the grey shapes was painted in a single stroke using a broad, flat brush loaded up with paint. Partners. Create your first list. He refers to his artworks as ‘living structures’, taking a philosophical approach to creating them and viewing his raw materials and gestures as entities, each granting some insight into our own lives and our relationship to the world around us. To Lee, these ‘blank’ fields are necessary parts of the work, allowing the boundaries between the paintings and the space in which they are installed to blur and the dialogue to continue from one piece to the next. Bidding closed. Le Couvent de la Tourette – a monastery designed by Le Corbusier, 30 km northwest of Lyon, in the 1950s – is emblematic of the Swiss architect’s Brutalist, geometric rigidity. Acrylique sur toile / Acrylic paint on canvas 227 x 182 cm (89.37 x 71.65 in) (Inv n°LU143) At numerous levels, Lee prompts us to remember the treachery of images. In the earlier Dialogue series, Lee’s brushstrokes were the result of multiple applications of a monochromatic mineral pigment which built up into a single, ‘heavy’ presence. SA. Lee Ufan, 1986. His later minimalist Dialogue series, begun in 2006, again employed mineral pigments on canvas; their composition consisted of one, two, or three short, broad brushstrokes placed so as to suggest resonance and echo within the surrounding white space. If you are familiar with this series, you may be surprised to see that what started primarily with monotone grey has blossomed into works full of vibrant colour. Estimate £7,000 - 10,000 ‡ Sold for £8,750. Lee Ufan (Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter and sculptor artist and academic, honored by the government of Japan for having "contributed to the development of contemporary art in Japan." Painting. Gerhard Richter and Isa Genzken. Lee Ufan DIALOGUE signed, titled and dated 2007 on the reverse; signed and dated '06 on the right lateral edge oil on canvas 89 1/2 by 81 1/2 in. Include Message Cancel. Lithograph. Executed in 2006-2007. About. Read More Print. As stated by Lee Ufan himself: “A work of art is a site where places of making and not making, painting and not painting, are linked so that they reverberate with one another.” The unpainted portions make the viewer sharply aware of this reverberation, as well as the space as a whole. Est. Acrylique sur toile / Acrylic paint on canvas. inde/jacobs. Lee Ufan, Dialogue, 2018, acrylic on canvas, 291 x 218 x 3.8 cm. Lee Ufan: “Dialogue Sea and Island” Lithographs, Shirota Gallery, Tokyo, February 25–March 8, 2008. To book yours, contact us at info@mactionplanet.com. DETAIL. With the intention of developing of his practice further, Lee spoke of how he was driven by a desire to make his work more powerful and fulfilling. As such, though they may seem simple in form at first glance, Lee’s paintings are very present and physical, taking on an almost three-dimensional aspect. [The first time colour Dialogue paintings were shown in a focused installation was at Pace Gallery in September 2018]. Each work may take a month or more to complete, focusing on the resonance of space, colour, light, and tension. 25. [Header image: Lee Ufan, ‘Dialogue’ (2018), Acrylic on Canvas. Dialogue, 2016. In his Dialogue series artist creates a site-specific works placing a single, broad, viscous stroke of paint on canvas, setting up a rhythm that exposes and enlivens the emptiness of the space, creating what Lee calls “an open site of power in which things and space do vividly interact.”Limiting his brush strokes to one, two, or three squarelike marks on the pristine white canvas, … Lee Ufan and the School of Things. What is conceptual art? We take this opportunity to look back at Lee’s global influence through the Mono-ha movement he co-founded and its links to his current work. Careers. The colour fields, which appear to be single brush strokes, have elementary forms which further emphasises the white space in the work. Dialogue: The Sea and Islands 1, 2007. In September 2019, Lee became the first single-artist to take over the entire plaza of Washington DC’s Hirshhorn Museum and Sculpture Garden in the museum’s 44-year existence. Lee Ufan. While the term is usually translated as ‘school of things,’ this is misleading. LEE UFAN. He began his 'Correspondence' paintings in 1991. Initiatives. This exhibition brings together a body of new work by Lee Ufan, famed as a founding member of the Japanese Mono-ha and Korean Dansaekhwa groups of the late 1960s and early ’70s – both important modern and parallel art movements which have only relatively recently been feted by … The brushstrokes are painted vertically or horizontally, or more usually a combination of both directions. The art is not limited to the painted installations but are connected to the space of the entire exhibit itself. If you are looking for a particular piece by Lee Ufan, tell us what it is and we will match it to our database of sellers. You can subscribe to the Maction Planet newsletter below, and follow all our adventures on Facebook, Instagram, Twitter, Mixcloud and YouTube. Make an Offer. Lee Ufan. Lee Ufan (b. 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